ISHLVLSTUDIOS is a multidisciplinary creative collective working across film, generative cinema, fine art, photography, and cultural archive.
The studio constructs visual worlds through image, motion, and atmosphere — where direction is intentional and authorship remains human.
Operating as both collective and system, ISHLVLSTUDIOS brings together core contributors including ISH, DOBLEM, and HEMISKELL, with ongoing collaborations with MOONBEAR — forming a shared visual language grounded in culture, narrative, and precision.
The work exists between archive and future — documenting, shaping, and extending visual culture.
CREATIVE DIRECTOR — LASHAN MITCHELL (ISH)
Directed, shot, and edited by ISH.
Short-form work moving through fashion, events, and everyday observation. A human-led approach to visual storytelling where rhythm and timing define the final image.
Built for campaigns, social platforms, and brand moments that require presence.
For film direction, short-form production, and visual documentation:
ishlvlstudios@gmail.comNEW YORK CITY
BILD EXPO
HIGHSNOBIETY
NEIGHBORLY NETWORK
THE ALEXANDER
ISHLVLSTUDIOS Generative Lab is a cinematic system directed by ISH, focused on AI-assisted workflows for short-form storytelling.
The work is human-directed — using generative systems to extend execution, not replace intent. Each project is built through a combination of creative direction, visual development, and editorial control, resulting in high-impact, short-form cinematic outputs.
For generative direction, AI-assisted campaigns, and visual development:
ishlvlstudios@gmail.comCynthia Tracy is a visual system developed through ISHLVLSTUDIOS Generative Lab — exploring eyewear as identity, object, and signal.
The work extends into character development, constructing a defined presence through styling, environment, and perspective.
Built across image, product, and environment, and shaped through generative processes and editorial control.
A study in perception, authorship, and continuity.
FRAMES
New York City, 1988.
A generative visual series reconstructing moments shaped by culture, tension, and environment — where image, sound, and atmosphere converge into a cinematic system.
The work draws from memory, archive, and interpretation, building a version of the city that feels both familiar and constructed. Each scene is directed with intention, using generative processes to extend execution while maintaining authorship.
Characters, environments, and time are treated as components within a larger visual language — controlled, repeatable, and evolving.
A study in era, perception, and reconstruction.
RAP BATTLE
UPTOWN
RUSH HOUR
RACIAL PROFILING
THE JUNGLE
REAGAN ERA
Explorations in motion, sequencing, and visual systems within generative workflows.
These works function as studies — testing timing, structure, and continuity across frames. Not finished narratives, but controlled outputs used to refine a larger cinematic language.
Each piece isolates a variable: movement, pacing, environment, or character — building toward repeatable systems and directional control.
A study in motion, iteration, and execution.
PARIS WALKTHROUGH
CYNTHIA TRACY CAB
PARIS — ORANGE HAT
NEON SEQUENCE
ABSTRACT MOTION
PARIS — GREEN JACKET
The Art Division presents visual work across digital illustration and photography. It functions as both archive and exhibition — documenting authored work and ongoing series.
Figure-based work rooted in identity, environment, and lived experience.
Originating from The Kids of the Lower East Side — a body of work reflecting youth impacted by the child welfare system in Manhattan — the practice extends into broader examinations of culture, consumption, and self-expression.
Through stylization, distortion, and repetition, the work operates between documentation and interpretation — translating real-world systems into visual form. Conceptual series such as Access Excess examine materialism and excess, while Art of Design shifts into form, extending the visual language into fashion.
A continuous body of work exploring digital composition, material, and form.
A study in identity, systems, and evolution.
For inquiries, collaborations, and commissions:
ishlvlstudios@gmail.com
FINE ART — 02
MOTT ST — 01
INFINITE CANVAS OF REI — 02
INFINITE CANVAS OF REI — 01
MOTT ST — 02
KIDS OF THE LOWER EAST SIDE — 01
KIDS OF THE LOWER EAST SIDE — 02
ACCESS EXCESS — 01
ACCESS EXCESS — 02
SUMMER 24 — 02
YEAR OF DESIGN
Street photography rooted in environment, movement, and real-time observation.
Grounded in New York, the work captures moments as they exist — shaped by proximity, timing, and perspective. Operating between documentation and composition, each image reflects a lived environment rather than a constructed one.
FENICE exists within this body of work as a visual exploration of transformation, surface, and identity — symbolizing rebirth and evolution. Drawing from Brooklyn roots, the work merges street photography with conceptual storytelling, offering a layered examination of resilience and identity.
A continuous visual archive of place, presence, and change.
For inquiries, collaborations, and commissions.
ISHLVLSTUDIOS shotxdoblem@gmail.com
DOBLEM
THE SUN
FENICE — MONTAGE
THE BOX
Theory x Logic x Abstract is a curated visual archive where art, fashion, music, and photography intersect to document and explore contemporary culture. Grounded in theory, logic, and abstraction, the archive presents works that challenge convention and examine how visual language, identity, and perception are constructed.
Each piece exists as a study — an ongoing exploration of form, meaning, and creative expression.
THEORY × LOGIC × ABSTRACT — I
For creative direction, brand collaborations, and project inquiries:
ishlvlstudios@gmail.com